Magdalena Mellin

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At/Out of/ Over/ In/-Sight

An artist should keep the balance between the 3 subjects of love, himself, his art piece and the world. Here comes the sense of dramatic struggle between “I” (subject) and “this”(object);a dramatic searching of myself in the illusion of mirrors. A subjectfication of a human as a gleam, reflection in the mirror or water- and reflection: a thought, a thinking, also over myself. “A Narcissus is a character of cognition, a character of contemplation. However he is not contemplating his own beauty(…) but mostly his situation in the world, he exposes to reflection the possibility of cognition, not only of his own, but also- of an artist, and maybe even more- of a humane in general”. That is a god’s irony, reflecting the experience of decentralized me, which extracted from the power of all inner joints and cannot live without the bliss of self-adroration. The self-fruition through expression becomes the main rule of art. The reality gains its legitimacy through me.